Irish travellers excluded essays

Irish travellers excluded essays Irish travellers are a minority group that experience wide-spread racism. Very few settled people want to accept that travellers are a distinct ethnic group with their own traditions and customs. They are seen through the eyes of settled people as problem communities and con-artists, rather than people who have been denied the most basic rights. In this essay I hope to prove that the travelling community do experience wide-spread racism when it comes to health and accommodation and even gaining access to establishments such as pubs and shops. The travelling community of Ireland is currently 0.5% of the population, which is approximately 24,000 people1. These people can be identified as the outsiders of Irish society due to their social structure and economics, which are significantly different from that of society at large. Travellers employment is mainly conducted in the informal sector and so remains largely untaxed, this has lead to travellers being marginalized by many disgruntled taxpayers in the settle community. This is an unfair view given that traveller women and children have always played an economic role in our society, including begging, street trading and fortune telling etc. These are people who pride themselves on their ability to survive in the most difficult of circumstances and to make a living in the most unfavourable of environments. When it comes to the health of travellers, it is proved that their life expectancy is significantly shorter than that of the settled community: the average life expectancy of a male member of the travelling community is 10 12 years less than for settled men2. This is quite a significant number of years. The dwelling quarters that many travellers occupy are a major factor when considering travellers low life expectancy and high infant mortality rates, yet the government has still not dealt with the accommodation crisis. ...

25 Unforgettable James Joyce Quotes

25 Unforgettable James Joyce Quotes James Joyce was one of the most famous and controversial writers of the 20th century. His epic novel,  Ulysses  (published in 1922),  is widely considered one of the greatest books in Western literature. However, it  was criticized and banned in many places upon its release. His other key works include  Finnegans Wake (1939), A Portrait of the Artist as a Young Man (1916),  and the short story collection  Dubliners (1914). ï » ¿Joyce’s works are often known for using a stream of consciousness  literary technique, through which Joyce gave readers insight into his characters’ thought processes. Below are some famous quotes from James Joyce. Fast Facts: James Joyce James Joyce was born in Dublin in 1882 and died in Zurich in 1941.Joyce spoke numerous languages and studied at University College Dublin.Joyce was married to Nora Barnacle.Although most of Joyce’s works are set in Ireland, he spent very little time there as an adult.Joyce’s famous novel Ulysses was considered controversial when it was first released and was even banned in many places.Joyce’s works are considered an example of modernist literature, and they use the â€Å"stream of consciousness† technique. James Joyce Quotes About Writing, Art, and Poetry He tried to weigh his soul to see if it was a poets soul. (Dubliners) Shakespeare is the happy hunting ground of all minds that have lost their balance. (Ulysses) The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails. (A  Portrait of the Artist as a Young Man) Welcome, O life! I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race. (A  Portrait of the Artist as a Young Man) Writing in English is the most ingenious torture ever devised for sins committed in previous lives. The English reading public explains the reason why. (letter to Fanny Guillermet, 1918) Poetry, even when apparently most fantastic, is always a revolt against artifice, a revolt, in a sense, against actuality. It speaks of what seems fantastic and unreal to those who have lost the simple intuitions which are the test of reality; and, as it is often found at war with its age, so it makes no account of history, which is fabled by the daughters of memory. (Selected letters of James Joyce) He wanted to cry quietly but not for himself: for the words, so beautiful and sad, like music. (A Portrait of the Artist as a Young Man) The supreme question about a work of art is out of how deep a life does it spring. (Ulysses) The object of the artist is the creation of the beautiful. What the beautiful is is another question.  (A Portrait of the Artist as a Young Man) To discover the mode of life or of art whereby my spirit could express itself in unfettered freedom. (A Portrait of the Artist as a Young Man) [A writer is] a priest of eternal imagination, transmuting the daily bread of experience into the radiant body of everliving life. (Selected letters of James Joyce) James Joyce Quotes About Love I had never spoken to her, except for a few casual words, and yet her name was like a summons to all my foolish blood. (Dubliners) I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes. (Ulysses) His heart danced upon her movements like a cork upon a tide. He heard what her eyes said to him from beneath their cowl and knew that in some dim past, whether in life or revery, he had heard their tale before. (A Portrait of the Artist as a Young Man) Love loves to love love. (Ulysses) Why is it that words like these seem dull and cold? Is it because there is no word tender enough to be your name? (The Dead) Her lips touched his brain as they touched his lips, as though they were a vehicle of some vague speech and between them he felt an unknown and timid preasure, darker than the swoon of sin, softer than sound or odor. (A Portrait of the Artist as a Young Man) I did not know whether I would ever speak to her or not or, if I spoke to her, how I could tell her of my confused adoration. But my body was like a harp and her words and gestures were like fingers running upon the wires. (Dubliners) James Joyce Quotes About Fame and Glory Better pass boldly into that other world, in the full glory of some passion, than fade and wither dismally with age. (Dubliners) A man of genius makes no mistakes. His errors are volitional and are the portals of discovery. (Ulysses) James Joyce Quotes About Being Irish When the Irishman is found outside of Ireland in another environment, he very often becomes a respected man. The economic and intellectual conditions that prevail in his own country do not permit the development of individuality. No one who has any self-respect stays in Ireland but flees afar as though from a country that has undergone the visitation of an angered Jove. (James Joyce, lecture:  Ireland, Island of Saints and Sages) No God for Ireland! he cried. We have had too much God in Ireland. Away with God! (A Portrait of the Artist as a Young Man) This race and this country and this life produced me, he said. I shall express myself as I am. (A Portrait of the Artist as a Young Man) The soul ... has a slow and dark birth, more mysterious than the birth of the body. When the soul of a man is born in this country there are nets flung at it to hold it back from flight. You talk to me of nationality, language, religion. I shall try to fly by those nets. (A Portrait of the Artist as a Young Man) When I die, Dublin will be written on my heart. (Selected letters of James Joyce)

Teaching and learning support (critical reflection from education in Essay

Teaching and learning support (critical reflection from education in action module) - Essay Example One of the key points was about recognizing that teaching is individual and how important is to reflect and maintain reflection as a tool for doing so as proposed by Biggs (1999). Every teacher has some kind of implicit theory of teaching (Marland 1997). From this perspective this module has provided a new sight to start with a reflection as a theory which proposed by Biggs (2003) that reflection is a theory of teaching to reflect with and context of experiences as the object of reflection seen in action learning paradigm. Different students with different abilities and personality types learn more with varying techniques. Students low in authoritarianism, low in tendency to dichotomize, low in the need for structure, and high in the ability to tolerate frustrations have been found to learn more when the Socratic questions and answer method is used while children of different reasoning skills learn more with the discovery and expository methods. The setting under which teaching and learning takes place has different effects on students with different aptitudes, personalities, and motivations. Those who are high in need affiliation prefer to work with others; those low in affiliation need prefer to work alone. A twin of interest is patience. The teacher’s multi-roles compounded by his exposure to various personalities in the classroom, in the school bureaucracy, and in the community demand his patience. As a teacher I should accept the fact that even while preparing for a teaching career that I must be patient not only with my pupils who is the easiest to bear with but also with my colleagues with whom I get can more knowledge regarding the performance and personality of my students. Through reflection I was able to identify the gaps of teaching and learning process in my teaching session for nursing student. Actually I had the opportunity to evaluate my experience in

CASE 1 HRM 402 - TD - Determining Training and Development Essay

CASE 1 HRM 402 - TD - Determining Training and Development - Essay Example hould be taught to achieve optimal performance.† The job or task will be analyzed which includes the requirements for performing the task by specifying the main duties or level of the skills needed. When conducting the task analysis, the following should be evaluated: performance of task, frequency of task performed, importance of each task, knowledge needed to perform the task, difficulty of the task and trainings available for each task. It is very important to organize the task in sequence or by importance. The employee should be observed while performing the task and the observation should be documented properly. The performance of the employee should be evaluated based on the job description such as taking note if the employee missed important part of the task or deviated from what are listed on the job description. It is important to check if there are differences between the top and bottom performers. This would lead to the question of what are the suitable trainings needed to improve productivity and overall performance of the

Courtly Love Conventions in Troilus and Creseyde Essay -- Troilus Cris

Courtly Love Conventions in Troilus and Creseyde  Ã‚        Ã‚  Ã‚   From the beginning the reader knows that "Troilus and Criseyde" is both a romance and a tragedy, for if the name of the poem and the setting of doomed Troy are not enough of a clue, Chaucer's narrator tells us so explicitly. This is a tale of:    The double sorwe of Troilus to tellen, ... In lovying, how his aventures fellen Fro wo to wele, and after out of joie2    This waxing and waning of Troilus' and Criseyde's happiness in love allows Chaucer to explore the different manifestations of love in his contemporary society, and what the costs of loving might be. In particular, Criseyde's fear of love, and betrayal of Troilus' love, raises the question: who is allowed to choose to love?    Yet despite the readers' foreknowledge of a tragic ending, Chaucer's skill is in exploring this theme, while making the outcome of the story seem anything but fixed. He "directs our responses and controls the narrative situation,"3 so that we are in constant anticipation. One scene in particular strikes me as a powerful example of Chaucer's ability to evoke this feeling of uncertainty and infinite possibility suddenly coalescing into the next inevitable movement of the plot.    In a relatively short passage in Book II (lines 876-931) Criseyde makes the symbolic decision to love, despite her concerns about the power games involved with 'true' or courtly love. She "wex somwhat able to converte"4 her fears into love of Troilus.    This scene is made up of what appears to be a simple convergence of four important elements: Antigone's song of true love, and her certain and convincing belief in true love (as opposed to mere passion - "hoot"... ...Cambridge University Press, 1986) pp. 213-226. This from p. 213. 4. Benson, Book II, 903, p.501. 5. Benson, Book II, 892, p.501. 6. David Aers, "Criseyde: Woman in Medieval Society," The Chaucer Review 13 (3) (1979), 177-200. This from p. 180. 7. Benson, Book II, 872, p. 501. 8. Benson, Book II, 874-875, p. 501. 9. Benson, Book II, 887, p.501. 10. Benson, Book II, 891, p. 501. 11. Benson, Book II, 894, p. 501. 12. Benson, Book II, 922, p. 502. 13. Aers, p. 186. 14. Benson, Book II, 922, p.502. 15. Benson, Book II, 930, p. 502. 16. Eugene Vance, "Mervelous Signals: Poetics, Sign Theory, and Politics in Chaucer's Troilus," New Literary History 10 (1979), 293-337. This from p. 328. 17. Aers, p. 180. 18. Aers, p. 181. 19. Benson, Book II, 903, p. 501. 20. Benson, Book II, 890-891, p.501.

Christian perspective in Webster Essay

By close consideration of two extracts of your choice, assess the importance of the Christian perspective in Webster’s presentation of the Duchess.†Ã‚  There has been much debate over whether the Duchess of Malfi is a character who is essentially a victim of her brothers’ tyranny and the corruption of her court, and whose downfall is caused by such, or is responsible for her own negligent and selfish actions by marrying a man she loved but in doing so abandoning her princely duties. Certainly, Webster’s borrowings saw the Duchess as little more than a whore or a strumpet (much like Julia in Webster’s version), but modern audiences, with modern sympathies, have preferred to see the Duchess as a heroine who is sacrificed for love. The two passages I have chosen to consider neatly contrast each other in showing how the Duchess is susceptible to religious corruption (III.ii.305-320), but equally, how she dies a Christian, almost a martyr (IV.ii.210-239).  In I.i, Antonio, the Duchess’ future husband, recounts a description of the French court, the King of which has ‘quitted’ â€Å"his royal palace | Of flatt’ring sycophants, of dissolute, | And infamous persons† (ll.7-9). This depiction acts as a yardstick by which we compare the court of Malfi. In fact, the entire presentation could be taken as an abstract concept presented visually, rather than any actual occurrence – however, the effect is the same either way. Unfortunately, we soon learn what becomes of the King – in III.iii, the corrupt Cardinal tells us that ‘the famous Lannoy’ had â€Å"had the honour | Of taking the French King prisoner†. This shows us just how powerful corrupt courts are. It strikes an ominous note, not filling us with the most hope for the Duchess ‘stars’ or fate. Against this backdrop of sleaze and rottenness, the Duchess hardly stands a chance – and so we come to our first passage (III.ii.305-320). In III.ii.305-320, we witness the Duchess, having confided in Bosola not only that she is married to Antonio, her household steward, but that she has several children by him, is persuaded by Bosola to â€Å"feign a pilgrimage | To our Lady of Loretto† (ll.306-7), under the (clearly ironic) pretence that she  Ã¢â‚¬Å"may†¦ depart  [her] country with more honour, and [her] flight  Will seem a princely progress, retaining  [Her] usual train about [her]† (ll.308-311). In fact, we know that, on arriving in Loretto, where the Cardinal, by design, awaits her, she is shamefully stripped of her princedom, as is Antonio of his lands (III.iv.5ff esp. Stage Directions), and her train, bar a faithfully minority (a sign of hope for us all, displaying the moral rectitude of the few), desert her in her disgrace (III.v.2-3), for reasons of politics, fear, and uncertainty. Clearly, the pilgrims who witness the banishment do not judge either Antonio or the Duchess harshly – rather they sympathise with them (ll.32-43), so perhaps we are meant to too. Having said that, however, they have not seen what we have seen previously – the wise though portentous warning from Cariola, ignored by the Duchess, that â€Å"if you will believe me, | I do not like this jesting with religion, | this feigned pilgrimage† (III.iii.315-18). The Duchess is, by any means, not faultless – to suggest that she ‘defies the evil in her court and her brothers’ hearts’ is too generous – indeed, despite good intentions, good receptions from onlookers, and indeed, sympathy from the audience, especially the modern one, she is not able to over come the evil in her court and in her brothers’ heart in this instance – she falls at their mercenary, Bosola, and, of course unknowingly, gives in to the ‘evil’ – she allows herself, in her own words, to be ‘led by the hand’ at ‘his direction’ (ll.311-2). The Duchess is after all a tragic heroine – her personality is therefore susceptible to the genre which dictated that she should be realistic, like any other human being. The root of ‘the tragedy’ can be traced back as far as Aristotle’s Poetics, which sees it as a form of drama â€Å"in which a calamity is brought about through a flaw in the character of the hero or heroine, who through a flaw in the character of hero or heroine who, through suffering, achieves a dignity and self-knowledge previously lacking.† The audience feels they can identify closely with this character, which has human faults, and the audience is thus sympathetic – even empathetic – to their case – and should experience heights of emotion such as pity, even horror, at the Duchess’ death. They should emerge from the theatre in some way ‘purged’ by the experience. According to this theory, Tragedy is the great dramatic form which shows human nature as unchanging†¦ only increasing the tragedy of the Duchess’ life and story further, especially because we, as a modern audience, know it is based on a true- life story (recorded in Painter’s Palace of Pleasure). The Duchess is motivated by ‘seeking wisely to prevent future sorrows’, ‘lamenting those in the past’ (ll.319-320) – in other words, she has good intentions, but by themselves they are not enough to dispel the power of the corruption which surrounds and suffuses her.  While it may have been established that the Duchess doesn’t really defy the evil in her court and her brothers’ hearts, it is more possibly that ‘she makes a good end’. These are separate things – it is possible to fulfil one, but not the other – and evidence for the truth of the latter statement can be found in the second passage, IV.ii.210-239.

Racial Profiling Is A Bad Idea - 1128 Words

Gabbi Rodriguez Barber Expository Per; 6 12 December 2014 In a 2002 article, Angela A Davis argues how racial profiling is a bad idea because racial profiling does more harm than good and people don’t realize it. Statistics are very reliable such as; â€Å"The Department of Health and Human Services reports that 77% of monthly drug users are white.† We can’t say that Caucasian people aren’t ever racially profiled but you just don’t see or hear it often. This proves that Caucasians can do the same crimes as an African American or Hispanic person can. Racial Profiling is when a police officer or people focus on a certain race or look and they judge those people I think that racial profiling should be justified but only for certain types of laws. It should be justified because it’s a precaution and it helps to keep people safe. But I also think that it shouldn’t be justified because people never should be judged by their looks, color of their skin, religion or personal beliefs because if the pe rson is black or Arab/Muslim, it shouldn’t define who they are and it doesn’t make them a bad person. A white man can do the same exact crime as a Black, Hispanic, Muslim or an Asian man can. There’s a story of an African American actress named Daniele Watts, she got arrested for kissing her white boyfriend in his car. The cops thought that she was a prostitute because she is black and they had to question her boyfriend, Brian Lucas, if Daniele was actually his girlfriend. In an interviewShow MoreRelatedEssay on An Argument Against Racial Profiling878 Words   |  4 Pagesstereotypical views, that is when stereotyping becomes a big concern and can affect others.Stereotyping is the main cause that leads to profiling. 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Whether the person is African American, Hispanic, Indian, or Muslim, racial profiling is wrong. With all of the recent controversy surrounding the problem, one would think that it would occur much less but that is not the case. Racial profiling has caused a recent uproar in America, and it has become the reason why many people have turned their backs on law enforcement for good. â€Å"Racial profiling is the discriminatory practice by law enforcement officials targeting individuals forRead More The War on Terrorism is an Attack on American Civil Liberties835 Words   |  4 Pagescountry has been forced to confront the issue of terrorism.   The war on terrorism has ignited a war on our civil liberties.   Our civil liberties have been affected by the passing of the Patriot Act, the violation of privacy, and an increase in racial profiling. Civil liberties have been affected immensely by the Patriot Act.   A brief definition of the Patriot Act is; uniting and strengthening America by providing appropriate tools required to intercept and obstruct terrorism.   The Patriot Act modifies